The BBC Proms will conclude on Saturday night with an Argentine tango, played by virtuoso accordionist Ksenija Sidorova.
The 33-year-old will perform works by Anbal Troilo and Astor Piazzolla, who revolutionised tango in the 1950s and 1960s by incorporating jazz and classical into a new style known as nuevo tango.
She will be joined on stage by tenor Stuart Skelton, who will lead the audience in the traditional final night programme, which will include Land Of Hope And Glory and Rule, Britannia!
After a squabble over plans to play instrumental versions during the 2020 Last Night celebrations, the songs will be performed in their entirety.
After a media uproar, including reports that the BBC was censoring the lyrics due to associations with colonialism and slavery, that decision was reversed. Boris Johnson, the Prime Minister, was among those who opposed the decision.
Speaking to The Guardian earlier this week, Skelton brushed aside criticisms of what conductor Sir Simon Rattle recently called the “jingoistic tendencies” of the Last Night concert.
“Given the past 18 months, it’s a chance to enjoy the event for what it is – a wrap party for the biggest music festival on the planet,” he said.
“As for flag-waving, people love it or hate it, they do it or they don’t. I’m not here to judge.”
Accordion player pushes right buttons
Soloist Sidorova, who was born in Latvia, is an exciting young talent who has become a passionate ambassador for the accordion on the classical stage.
“It’s really remarkable how composers are attracted to it when they are looking for new sounds and new ways of expressing themselves,” she told The Telegraph ahead of her Proms debut.
“And it has the huge advantage of not requiring any accompaniment; it can create an entire sound world on its own. You can simply go to the forest and play by yourself.”
Sidorova began playing the accordion at the age of six, after discovering a small squeezebox in her grandmother’s attic, and went on to study accordion at the Royal Academy of Music in London.
She signed to Deutsche Grammophon in 2016, recording a modern interpretation of Georges Bizet’s Carmen; and has since performed her version of Roxanne with Sting and Bryn Terfel, as well as duetted with the violinist Nicola Benedetti.
She paid tribute to Astor Piazzolla’s centennial year earlier this year by releasing an album of his most innovative masterworks, one of which, Chiquiln de Bachn, she will perform at the Proms.
Due to the restrictions imposed by the Covid-19 pandemic, Sidorova’s appearance at London’s Royal Albert Hall will mark the end of a six-week Proms season that primarily featured British musicians.
However, for the first time since 2019, audiences were allowed to return, with thousands of fans attending concerts by Sheku Kanneh-Mason, Nubya Garcia, and Nicola Benedetti.
Highlights included the highly-anticipated concert debut of John Wilson’s Sinfonia of London, who played a soul-stirring and charismatic programme that included Strauss, Ravel and Korngold’s filmic Symphony in F sharp major.
Chineke – the UK’s only black and ethnically diverse orchestra – celebrated diversity in composers as well as performers, playing pieces by Samuel Coleridge-Taylor, Fela Sowande and Florence Price.
Jeneba Kanneh-Mason was the soloist for Price’s Piano Concerto In One Movement, a piece that has only recently been rediscovered.
A spiritual, harmonically inventive composition, it climaxes with an allegretto apparently modelled after the African-American “juba” dance once practised on US plantations.
The Independent said that Kanneh-Mason’s “heartfelt” rendition marked the 19-year-old out as a “rising star” of British classical music, alongside her elder siblings Isata and Sheku.
All seven Kanneh-Mason children also performed a one-off Prom, performing an updated version of Camille Saint-Saens’ much-loved suite The Carnival of the Animals; and Sheku wowed audiences with his interpretation of Dvoák’s Cello Concerto, accompanied by the Royal Liverpool Philharmonic.
The Proms Festival Orchestra – an ensemble of leading freelance players who were specially assembled to acknowledge the difficulties they faced during the pandemic – performed one of the most emotionally charged concerts.
The 80-piece orchestra included a double-bassist who’d taken up a job as an undertaker and a harpist who’d started working in a vineyard to make ends meet.
Their performance of Mahler’s Fifth Sympony was called “stirring” and a “triumph” by The Times.
The Proms will return next year.